Perhaps not-so coincidentally, SpectraLayers Pro’s user interface also echoes Adobe’s popular image editor, with toolbars across the top and left side. There’s a stack of panels at right that display file information, edit history, audio channel configuration, and layers, each of which can be undocked to float above the workspace or moved onto a second display as needed. The bulk of the window allows plenty of room for a scrolling audio spectrum timeline, complete with a narrow waveform view for reference.Īlthough there’s no denying the power of SpectraLayer Pro, the drab gray user interface winds up being less refined than it could be. For example, copying selections to a new layer requires multiple consecutive mouse clicks or keyboard shortcuts because the software lacks a more convenient “Copy Selection to New Layer” option.
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